« Cent vues d'Edo » : différence entre les versions
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==Les estampes== |
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=== Notes et références === |
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{| class="wikitable sortable" width="100%" style="background:#ffffff;" |
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!align="left" style="background:#ffdead;" | No. |
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!align="left" style="background:#ffdead;" | Title |
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!align="left" style="background:#ffdead;" class="unsortable"| Depicted |
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!align="left" style="background:#ffdead;" class="unsortable"| Remarks |
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!align="left" style="background:#ffdead;" | Date |
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!align="left" style="background:#ffdead;" | Location |
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!align="left" style="background:#ffdead;" class="unsortable"| Image |
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|{{sort|0|{{center|—}}}} |
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| Table of Contents |
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|{{center|—}} |
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| Abbreviated titles of prints arranged by season: two boxes at top are spring, fan-shaped box is summer, bottom right box autumn and bottom left are winter prints |
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|{{center|—}} |
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|{{center|—}} |
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| [[File:Hiroshige, Table of contents.jpg|120px]] |
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!style="background:#ADFF2F;"|1 |
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|{{nihongo|Nihonbashi: Clearing after Snow|日本橋雪晴|Nihonbashi yukibare}} |
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|[[Nihonbashi]], [[Edo Castle]], [[Mount Fuji]] |
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|{{center|—}} |
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| {{sort|1856-05|1856 / 5}} |
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| {{sort|Tokyo Chuo Nihonbashi|Nihonbashi, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|5.51|N|139|46|34.12|E|region:JP_dim:540|name=Nihonbashi: Clearing after Snow}} |
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| [[File:100 views edo 001.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|2 |
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|{{nihongo|Kasumigaseki|霞がせき}} |
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| Street (today Kasumigaseki-zaka), guardhouse of residence of [[Asano clan|Asano]], barracks of samurai of the [[Kuroda clan]], [[Edo Bay]] |
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| [[Kadomatsu]] gate pines and [[manzai]] dancers indicate a setting around [[Japanese New Year|New Year]]; kite with [[Kanji|Japanese character]] for fish (Jap. "sakana") is a reference to the publisher of the series, Sakanaya Eikichi |
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| {{sort|1857-01|1857 / 1}} |
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| {{sort|Tokyo Chiyoda Kasumigaseki|Kasumigaseki, [[Chiyoda, Tokyo|Chiyoda]]}}<br/>{{coord|35|40|32.66|N|139|44|55.67|E|region:JP_dim:280|name=Kasumigaseki}} |
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| [[File:100 views edo 002.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|3 |
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| {{nihongo|Hibiya and Soto-Sakurada from Yamashita-chō|山下町日比谷外さくら田|Yamashita-chō Hibiya Soto-Sakurada}} |
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| Residence of daimyo Nabeshima Kansō from the [[Saga Domain]], outer moat of [[Edo Castle]], [[Mount Fuji]] |
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| [[Kadomatsu]] pine, [[hagoita]] and kites indicate a setting around [[Japanese New Year|New year]] |
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| {{sort|1857-12|1857 / 12}} |
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| {{sort|Tokyo Chuo Hibiya|Hibiya, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|40|19.99|N|139|45|39.7|E|region:JP_dim:2200|name=Hibiya and Soto-Sakurada from Yamashita-chō}} |
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| [[File:100 views edo 003.jpg|120px]] |
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!style="background:#ADFF2F;"|4 |
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| {{nihongo|Tsukudajima and Eitai Bridge|永代橋佃しま|Eitaibashi Tsukudajima}} |
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| Eitai Bridge, [[Sumida River]], fishing boats of Tsukudajima |
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| An almost identical composition titled ''Eitaibashi'' by Hiroshige exists in the second volume of his "Illustrated Souvenirs of Edo" |
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| {{sort|1857-02|1857 / 2}} |
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| {{sort|Tokyo Chuo Tsukuda|Tsukuda, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|40|39.32|N|139|47|13.6|E|region:JP_dim:650|name=Tsukudajima and Eitai Bridge}} |
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| [[File:100 views edo 004.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|5 |
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| {{nihongo|Ekōin Temple in Ryōgoku and Moto-Yanagi Bridge|両ごく回向院元柳橋|Ryōgoku Ekōin Moto-Yanagibashi}} |
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| Drum tower of [[Ekō-in]], Honjo neighbourhood, [[Sumida River]], residence of [[Matsudaira clan|Matsudaira]] feudal lor of Tanba, [[Mount Fuji]] |
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| Drum tower was associated with sumo tournaments held at Ekō-in; for marketing purposes the print appeared two months after a popular major exhibition of temple treasures at Ekō-in |
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| {{sort|1857-05|1857 / i5}} |
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| {{sort|Tokyo Sumida Ryogoku|Ryōgoku, [[Sumida, Tokyo|Sumida]]}}<br/>{{coord|35|41|36.88|N|139|47|28.78|E|region:JP_dim:820|name=Ekōin Temple in Ryōgoku and Moto-Yanagi Bridge}} |
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| [[File:100 views edo 005.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|6 |
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| {{nihongo|Hatsune Riding Ground in Bakuro-chō|馬喰町初音の馬場|Bakuro-chō Hatsune no baba}} |
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| Hatsune Riding Ground and district's fire watch tower |
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| Dyers of Konya-chō district using riding grounds to dry their cloths |
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| {{sort|1857-09|1857 / 9}} |
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| {{sort|Tokyo Chuo Nihonbashibakuro|Nihonbashibakuro-chō, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|40.58|N|139|46|59.34|E|region:JP_dim:200|name=Hatsune Riding Ground in Bakuro-chō}} |
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| [[File:100 views edo 006.jpg|120px]] |
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!style="background:#ADFF2F;"|7 |
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| {{nihongo|Shops with Cotton Goods in Ōdenma-chō|大てんま町木綿店|Ōtenma-chō momendana}} |
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| Street scene with [[geisha]]s, cotton shops in Ōdenma-chō |
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| {{center|—}} |
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| {{sort|1858-04|1858 / 4}} |
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| {{sort|Tokyo Chuo Nihonbashiodenma|Nihonbashiōdenma-chō, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|18.72|N|139|46|34.9|E|region:JP_dim:110|name=Shops with Cotton Goods in Ōdenma-chō}} |
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| [[File:100 views edo 007.jpg|120px]] |
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!style="background:#ADFF2F;"|8 |
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| {{nihongo|Suruga-chō|する賀てふ|Suruga tefu}} |
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| Mitsui ([[yagō]]: Echigoya) textile stores, [[Mount Fuji]] |
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| Echigoya later became the [[Mitsukoshi]] department store chain whose modern day headquarters are located on the left side of the street in the print |
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| {{sort|1856-09|1856 / 9}} |
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| {{sort|Tokyo Chuo Nihonbashimuro|Nihonbashimuro-machi, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|10.5|N|139|46|26.17|E|region:JP_dim:210|name=Suruga-chō}} |
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| [[File:100 views edo 008.jpg|120px]] |
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!style="background:#ADFF2F;"|9 |
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| {{nihongo|Yatsukōji, Inside Sujikai Gate|筋違内八ツ小路|Sujikai uchi Yatsukōji}} |
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| Yatsukōji junction, [[Kanda River]], [[Kanda Shrine]] |
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| One of the few open spaces in [[Edo]], created as fire-breaks |
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| {{sort|1857-11|1857 / 11}} |
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| {{sort|Tokyo Chiyoda Kandata|Kandata-chō, [[Chiyoda, Tokyo|Chiyoda]]}}<br/>{{coord|35|41|50.53|N|139|46|9.21|E|region:JP_dim:1200|name=Yatsukō-ji, Inside Sujikai Gate}} |
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| [[File:100 views edo 009.jpg|120px]] |
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!style="background:#ADFF2F;"|10 |
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| {{nihongo|Sunrise at Kanda Myōjin Shrine|神田明神曙之景|Kanda Myōjin akebono no kei}} |
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| [[Kanda Shrine]] |
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| Probably produced as a souvenir of the shrine festival in memory of the [[Battle of Sekigahara]] celebrated on the 15th day of the 9th month |
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| {{sort|1857-09|1857 / 9}} |
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| {{sort|Tokyo Chiyoda SotoKanda|Soto-Kanda, [[Chiyoda, Tokyo|Chiyoda]]}}<br/>{{coord|35|42|6.4|N|139|46|4.81|E|region:JP_dim:38|name=Sunrise at Kanda Myōjin Shrine}} |
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| [[File:100 views edo 010.jpg|120px]] |
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!style="background:#ADFF2F;"|11 |
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| {{nihongo|Kiyomizu Hall and Shinobazu Pond at Ueno|上野清水堂不忍ノ池|Ueno Kiyomizu-dō Shinobazu no ike}} |
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| Kiyomizu Hall of [[Kan'ei-ji]], Moon Pine, [[Shinobazu Pond]] |
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| Depicted pines are in reality much smaller |
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| {{sort|1856-04|1856 / 4}} |
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| {{sort|Tokyo Taito Uenosakuragi|Uenosakuragi, [[Taitō, Tokyo|Taitō]]}} |
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| [[File:100 views edo 011.jpg|120px]] |
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!style="background:#ADFF2F;"|12 |
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| {{nihongo|Ueno Yamashita|上野山した|}} |
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| Iseya restaurant, temples |
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| Published in the month after Hiroshige's death; composition probably based on his sketches but probably completed by [[Hiroshige II]] |
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| {{sort|1858-10|1858 / 10}} |
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| {{sort|Tokyo Taito Ueno|Ueno, [[Taitō, Tokyo|Taitō]]}} |
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| [[File:100 views edo 012.jpg|120px]] |
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!style="background:#ADFF2F;"|13 |
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| {{nihongo|Shitaya Hirokōji|下谷広小路|}} |
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| Hirokōji ("Broadway"), premises of textile retailer [[Matsuzakaya]] |
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| Published in the same month in which the depicted Matsuzakaya store re-opened after the [[1855 Ansei Edo earthquake|1855 earthquake]] |
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| {{sort|1856-09|1856 / 9}} |
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| {{sort|Tokyo Taito Ueno|Ueno, [[Taitō, Tokyo|Taitō]]}}<br/>{{coord|35|42|25.37|N|139|46|21.72|E|region:JP_dim:450|name=Shitaya Hirokōji}} |
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| [[File:100 views edo 013.jpg|120px]] |
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!style="background:#ADFF2F;"|14 |
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| {{nihongo|Temple Gardens in Nippori|日暮里寺院の林泉|Nippori jiin no rinsen}} |
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| Temple Gardens |
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| Depicts cherries and azaleas in bloom while in reality they bloom at different times of the year |
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| {{sort|1857-02|1857 / 2}} |
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| {{sort|Tokyo Arakawa Nishinippori|Nishinippori, [[Arakawa, Tokyo|Arakawa]]}} |
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| [[File:100 views edo 014.jpg|120px]] |
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!style="background:#ADFF2F;"|15 |
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| {{nihongo|Suwa Bluff in Nippori|日暮里諏訪の台|Nippori Suwanodai}} |
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| Suwa Myōjin Shrine grounds, [[Mount Tsukuba]] |
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| {{center|—}} |
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| {{sort|1856-05|1856 / 5}} |
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| {{sort|Tokyo Arakawa Nishinippori|Nishinippori, [[Arakawa, Tokyo|Arakawa]]}} |
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| [[File:100 views edo 015.jpg|120px]] |
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!style="background:#ADFF2F;"|16 |
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| {{nihongo|Flower Park and Dangozaka Slope in Sendagi|千駄木団子坂花屋敷|Sendagi Dangozaka Hanayashiki}} |
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| Cherry orchard, Pavilion of the Violet Spring (Shisentei) |
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| The print is a reference to the reconstruction of the Shisentai after the [[1855 Ansei Edo earthquake|1855 earthquake]] and to [[Tokugawa Iesada]]'s visit to the park two months prior to publication |
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| {{sort|1856-05|1856 / 5}} |
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| {{sort|Tokyo Bunkyo Sendagi|Sendagi, [[Bunkyō, Tokyo|Bunkyō]]}}<br/>{{coord|35|43|22.89|N|139|45|46.31|E|type:landmark_scale:1000_region:JP|name=Flower Park and Dangozaka Slope in Sendagi}} |
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| [[File:100 views edo 016.jpg|120px]] |
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!style="background:#ADFF2F;"|17 |
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| {{nihongo|View to the North from Asukayama|飛鳥山北の眺望|Asukayama kita no chōbō}} |
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| Asukayama Park, [[Mount Tsukuba]] |
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| Possibly inspired by [[Tokugawa Iesada]]'s visit to the park two months prior to publication |
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| {{sort|1856-05|1856 / 5}} |
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| {{sort|Tokyo Kita Asukayama Park|Asukayama Park, [[Kita, Tokyo|Kita]]}}<br/>{{coord|35|45|3.12|N|139|44|18.13|E|region:JP_dim:780|name=View to the North from Asukayama}} |
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| [[File:100 views edo 017.jpg|120px]] |
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!style="background:#ADFF2F;"|18 |
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| {{nihongo|The Ōji Inari Shrine|王子稲荷の社|Ōji Inari no yashiro}} |
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| [[Ōji Inari Shrine]], [[Mount Tsukuba]] |
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| {{center|—}} |
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| {{sort|1857-09|1857 / 9}} |
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| {{sort|Tokyo Kita Kishimachi|Kishi-machi, [[Kita, Tokyo|Kita]]}} |
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| [[File:100 views edo 018.jpg|120px]] |
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!style="background:#ADFF2F;"|19 |
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| {{nihongo|Dam on the Otonashi River at Ōji, known as "The Great Waterfall"|王子音無川堰棣世俗大瀧ト唱|Ōji Otonashigawa entei, sezoku Ōtaki to tonau}} |
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| Otonashi River, Amida Hall of Kinrin-ji temple, Takata-chō |
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| Likely created to mark [[Tokugawa Iesada]]'s visit to Kinrin-ji and Takata on the 21st day of the first month (also see no. 115, 116) |
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| {{sort|1857-02|1857 / 2}} |
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| {{sort|Tokyo Kita Oji|Ōji, [[Kita, Tokyo|Kita]]}} |
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| [[File:100 views edo 019.jpg|120px]] |
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!style="background:#ADFF2F;"|20 |
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| {{nihongo|The Kawaguchi Ferry and Zenkōji temple|川口のわたし善光寺|Kawaguchi no watashi Zenkōji}} |
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| [[Arakawa River]], Zenkō-ji temple |
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| A year after Hiroshige designed the print, the Buddha in the Amida Hall at the top was due to be exhibited publicly for the first time in 13 years; in a pun Hiroshige covered the hall of this "[[Hibutsu|secret Buddha]]" with the title cartouche |
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| {{sort|1857-02|1857 / 2}} |
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| {{sort|Tokyo Kita|[[Kita, Tokyo|Kita]] / [[Kawaguchi, Saitama|Kawaguchi]], [[Saitama Prefecture|Saitama]]}}<br/>{{coord|35|47|22.01|N|139|43|16.18|E|region:JP_dim:2200|name=The Kawaguchi Ferry and Zenkōji temple}} |
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| [[File:100 views edo 020.jpg|120px]] |
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!style="background:#ADFF2F;"|21 |
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| {{nihongo|Mount Atago in Shiba|芝愛宕山|Shiba Atagoyama}} |
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| [[Atago Shrine (Tokyo)|Atago Shrine]], [[Edo Bay]] |
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| Scene depicts an emissary from Enpuku-ji temple who on every third day of the year performs a ceremony at Atago Shrine for good fortune, health and success and to avert hunger and disease; the large [[Shamoji|rice paddle]] in his hand symbolizes abundance, the seaweed around his neck was distributed after the ceremony among the faithful who used it to brew an infusion against colds |
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| {{sort|1857-08|1857 / 8}} |
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| {{sort|Tokyo Minato Atago|Atago, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|39|53.6|N|139|44|54.51|E|region:JP_dim:210|name=Mount Atago in Shiba}} |
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| [[File:100 views edo 021.jpg|120px]] |
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!style="background:#ADFF2F;"|22 |
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| {{nihongo|Hiroo on Furukawa River|広尾ふる川|Hiroo Furukawa}} |
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| Furukawa River, "Fox" (kitsune) restaurant |
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| {{center|—}} |
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| {{sort|1856-07|1856 / 7}} |
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| {{sort|Tokyo Shibuya Hiroo|[[Hiroo, Shibuya|Hiroo]], [[Shibuya, Tokyo|Shibuya]]}}<br/>{{coord|35|38|51.15|N|139|43|57.5|E|region:JP_dim:350|name=Hiroo on Furukawa River}} |
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| [[File:100 views edo 022.jpg|120px]] |
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!style="background:#ADFF2F;"|23 |
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| {{nihongo|Chiyogaike Pond in Meguro|目黒千代か池川|Meguro Chiyogaike}} |
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| Chiyogaike Pond |
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| Feature a — for the time — unusual depiction of reflections of the trees in the water |
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| {{sort|1856-07|1856 / 7}} |
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| {{sort|Tokyo Meguro Meguro|Meguro, [[Meguro, Tokyo|Meguro]]}}<br/>{{coord|35|38|11.35|N|139|42|45.24|E|region:JP_dim:180|name=Chiyogaike Pond in Meguro}} |
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| [[File:100 views edo 023.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|24 |
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| {{nihongo|New Fuji in Meguro|目黒新富士|Meguro Shin-Fuji}} |
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| Mita Aqueduct, Mount Fuji replica, [[Mount Fuji]] |
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| Subject is a replica (one of many) of Mount Fuji erected in 1829 by Fuji worshippers |
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| {{sort|1857-04|1857 / 4}} |
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| {{sort|Tokyo Meguro Nakameguro|[[Nakameguro, Meguro, Tokyo|Nakameguro]], [[Meguro, Tokyo|Meguro]]}}<br/>{{coord|35|38|38.56|N|139|42|17.74|E|region:JP_dim:180|name=New Fuji in Meguro}} |
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| [[File:100 views edo 024.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|25 |
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| {{nihongo|The Original Fuji in Meguro|目黒元不二|Meguro Moto-Fuji}} |
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| Mount Fuji replica, [[Mount Fuji]] |
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| Fuji replica erected in 1812 was at {{convert|12|m|abbr=on}} the tallest in Edo; this print was incorrectly placed in the spring section of the table of contents since the depicted cherry trees are in autumn foliage; spelling of "Fuji" in the title as {{nihongo||不二||lit. "not two"}} is thought to be a pun on the doubling of the mountain |
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| {{sort|1857-04|1857 / 4}} |
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| {{sort|Tokyo Meguro Kamimeguro|Kamimeguro, [[Meguro, Tokyo|Meguro]]}}<br/>{{coord|35|38|49.3|N|139|42|5.19|E|region:JP_dim:180|name=The Original Fuji in Meguro}} |
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| [[File:100 views edo 025.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|26 |
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| {{nihongo|The "armour-Hanging Pine" at Hakkeizaka Bluff|八景坂鎧掛松|Hakkeizaka Yoroikakematsu}} |
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| [[Tōkaidō (road)|Tōkaidō]], [[Edo Bay]] |
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| Depicts a popular viewpoint of Edo Bay; according to legend, [[Minamoto no Yoshiie]] hung his armour on this tree in 1062; Hiroshige adapts the shape of the tree so that only a giant could have hung his armour on it |
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| {{sort|1856-05|1856 / 5}} |
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| {{sort|Tokyo Ota Omorikita|Ōmorikita, [[Ōta, Tokyo|Ōta]]}} |
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| [[File:100 views edo 026.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|27 |
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| {{nihongo|Plum Orchard in Kamada|蒲田の梅園|Kamada no umezono}} |
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| Plum Orchard in Kamada |
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| {{center|—}} |
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| {{sort|1857-02|1857 / 2}} |
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| {{sort|Tokyo Ota Kamata|Kamata, [[Ōta, Tokyo|Ōta]]}} |
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| [[File:100 views edo 027.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|28 |
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| {{nihongo|Palace Hill in Shinagawa|品川御殿やま|Shinagawa Gotenyama}} |
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| Palace Hill |
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| Depicts both a famous cherry blossom spot and the destruction of the landscape after removal of earth; the earth was used to built ramparts (''daiba'') in the sea following [[Matthew C. Perry|Commodore Perry]]'s arrival in [[Edo Bay]] in 1853 |
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| {{sort|1856-04|1856 / 4}} |
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| {{sort|Tokyo Shibuya Kita-shinagawa|Kita-shinagawa, [[Shibuya, Tokyo|Shibuya]]}}<br/>{{coord|35|37|15.69|N|139|44|22.22|E|region:JP_dim:200|name=Palace Hill in Shinagawa}} |
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| [[File:100 views edo 028.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|29 |
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| {{nihongo|Moto-Hachiman Shrine in Sunamura|砂むら元八まん|Sunamura Moto-Hachiman}} |
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| [[Torii]] of Moto-Hachiman Shrine, [[Edo Bay]] |
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| {{center|—}} |
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| {{sort|1856-04|1856 / 4}} |
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| {{sort|Tokyo Koto Minami-suna|Minami-suna, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|40|10.04|N|139|50|13.43|E|region:JP_dim:580|name=Moto-Hachiman Shrine in Sunamura}} |
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| [[File:100 views edo 029.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|30 |
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| {{nihongo|Plum Park in Kameido|亀戸梅屋舗|Kameido Umeyashiki}} |
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| Plum Park in Kameido |
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| Both in color and theme this print is related to print no. 27 (''Plum Orchard in Kamada''); copied by [[Vincent van Gogh]] under the title ''[[Japonaiserie (van Gogh)|Japonaiserie]]: Flowering Plum Tree'' |
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| {{sort|1857-11|1857 / 11}} |
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| {{sort|Tokyo Koto Kameido|Kameido, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|42|16.31|N|139|49|26.15|E|region:JP_dim:76|name=Plum Park in Kameido}} |
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| [[File:Hiroshige Pruneraie à Kameido.jpg|120px]] |
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|- |
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!style="background:#ADFF2F;"|31 |
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| {{nihongo|Azuma no mori Shrine and the Entwined Camphor|吾嬬の森連理の梓|Azuma no mori Renri no azusa}} |
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| Azuma Shrine |
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| {{center|—}} |
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| {{sort|1856-07|1856 / 7}} |
|||
| {{sort|Tokyo Sumida Tachibana|Tachibana, [[Sumida, Tokyo|Sumida]]}} |
|||
| [[File:100 views edo 031.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|32 |
|||
| {{nihongo|The Yanagishima Island|柳しま|Yanagishima}} |
|||
| Myōken Hall of Hōshō-ji temple, Hashimotoya restaurant ("At the Foot of the Bridge"), [[Mount Tsukuba]] |
|||
| {{center|—}} |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Sumida Narihira|Narihira, [[Sumida, Tokyo|Sumida]]}} |
|||
| [[File:100 views edo 032.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|33 |
|||
| {{nihongo|Towboats on the Yotsugi dōri Canal|四ツ木通用水引ふね|Yotsugi dōri yōsui hikifune}} |
|||
| Yotsugi dōri Canal |
|||
| Unlike in the print, the canal was absolutely straight |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Katsushika Yotsugi|Yotsugi, [[Katsushika, Tokyo|Katsushika]]}} |
|||
| [[File:100 views edo 033.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|34 |
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| {{nihongo|Night View of Matsuchiyama and the San'ya Canal|真乳山山谷堀夜景|Matsuchiyama San'yabori yakei}} |
|||
| [[Sumida River]], San'ya Canal inlet, Yumeiro and Takeya restaurants, Matsuchiyama hill, Shōten Shrine |
|||
| Only image in the series to depict a large human figure, purportedly the favourite [[geisha]] of Hiroshige; Shōten Shrine on the top of the hill has sexual connotations |
|||
| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Taito Asakusa|[[Asakusa]], [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 034.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|35 |
|||
| {{nihongo|The Grove at the Suijin Shrine and Massaki on the Sumida River|隅田川水神の森真崎|Sumidagawa Suijin no mori Massaki}} |
|||
| Cherry tree trunk, Suijin Shrine, [[Sumida River]], Massaki district, [[Mount Tsukuba]] |
|||
| People at the bottom of the print are on the way to the Hashiba ferry (see no. 37) |
|||
| {{sort|1856-08|1856 / 8}} |
|||
| {{sort|Tokyo Arakawa Minamisenju|Tsutsumidōri, [[Sumida, Tokyo|Sumida]] and Minamisenju, [[Arakawa, Tokyo|Arakawa]]}} |
|||
| [[File:100 views edo 035.jpg|120px]] |
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|- |
|||
!style="background:#ADFF2F;"|36 |
|||
| {{nihongo|View from Massaki on the Grove near Suijin Shrine, the Uchigawa Inlet and Sekiya Village|真崎辺より水神の森内川関屋の里を見る図|Massaki atari yori Suijin no mori Uchigawa Sekiya no sato wo miru zu}} |
|||
| [[Sumida River]], Suijin Shrine, Massaki district, [[Mount Tsukuba]] |
|||
| Similar subject and location as no. 35 |
|||
| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Arakawa Minamisenju|Minamisenju, [[Arakawa, Tokyo|Arakawa]]}} |
|||
| [[File:100 views edo 036.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|37 |
|||
| {{nihongo|Kilns and the Hashiba Ferry on the Sumida River|墨田河橋場の渡かわら竈|Sumidagawa hashiba no watashi kawaragama}} |
|||
| Kilns, [[Sumida River]], Suijin Shrine, [[Mount Tsukuba]] |
|||
| Similar area as no. 35, 36 |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Arakawa Minamisenju|Minamisenju, [[Arakawa, Tokyo|Arakawa]] / Hashiba, [[Taitō, Tokyo|Taitō]] / Tsutsumidōri, [[Sumida, Tokyo|Sumida]]}} |
|||
| [[File:100 views edo 037.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|38 |
|||
| {{nihongo|Dawn in Yoshiwara|廓中東雲|Kakuchū shinonome}} |
|||
| [[Yoshiwara]] |
|||
| Published two months prior to the reopening of Yoshiwara after it burnt down in the [[1855 Ansei Edo earthquake|1855 earthquake]]; Hiroshige may have submitted this design and title following the suicide of two courtesans and their two lovers at dawn of the 19th day of the 4th month of 1857 |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Taito Asakusa|Asakusa, [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 038.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|39 |
|||
| {{nihongo|Distant View of Kinryūzan Temple in Asakusa and the Azuma Bridge|吾妻橋金龍山遠望|Azumabashi Kinryūzan enbo}} |
|||
| [[Sumida River]], Azuma Bridge, [[Sensō-ji|Kinryūzan Temple]], [[Mount Fuji]] |
|||
| {{center|—}} |
|||
| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Taito Asakusa|Asakusa, [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 039.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|40 |
|||
| {{nihongo|Bashō's Hermitage on Camellia Hill beside the Aqueduct at Sekiguchi|せき口上水端はせを庵椿やま|Sekiguchi jōsuibata Bashōan Tsubakiyama}} |
|||
| Sekiguchi Aqueduct, Bashō's Hermitage |
|||
| {{center|—}} |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Bunkyo Sekiguchi|Sekiguchi, [[Bunkyō, Tokyo|Bunkyō]]}}<br/>{{coord|35|42|41.68|N|139|43|29.46|E|region:JP_dim:580|name=Bashō's Hermitage on Camellia Hill beside the Aqueduct at Sekiguchi}} |
|||
| [[File:100 views edo 040.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|41 |
|||
| {{nihongo|Hachiman Shrine in Ichigaya|市ヶ谷八幡|Ichigaya Hachiman}} |
|||
| Ichigaya moat, shopping street, Hachiman Shrine |
|||
| Dated one month after Hiroshige's death and therefore attributed to [[Hiroshige II]] by some art historians |
|||
| {{sort|1858-10|1858 / 10}} |
|||
| {{sort|Tokyo Shinjuku Ichigayahachiman|Ichigayahachiman-chō, [[Shinjuku, Tokyo|Shinjuku]]}}<br/>{{coord|35|41|30.2|N|139|44|7.58|E|region:JP_dim:670|name=Hachiman Shrine in Ichigaya}} |
|||
| [[File:100 views edo 041.jpg|120px]] |
|||
|- |
|||
!style="background:#ADFF2F;"|42 |
|||
| {{nihongo|Cherry Blossoms on the Banks of the Tama River|玉川堤の花|Tamagawa tsutsumi no hana}} |
|||
| [[Tama River]], brothel district of Shinjuku |
|||
| One of the first five prints sanctioned by the censors |
|||
| {{sort|1856-02|1856 / 2}} |
|||
| {{sort|Tokyo Shinjuku Shinjuku|Shinjuku, [[Shinjuku, Tokyo|Shinjuku]]}}<br/>{{coord|35|41|21.57|N|139|42|7.93|E|region:JP_dim:210|name=Cherry Blossoms on the Banks of the Tama River}} |
|||
| [[File:100 views edo 042.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|43 |
|||
| {{nihongo|Nihonbashi and Edobashi Bridges|日本橋江戸ばし|Nihonbashi Edobashi}} |
|||
| [[Nihonbashi]], Nihonbashi River, [[Edobashi]] |
|||
| Fish barrel with first [[bonito]] of the season represents early summer |
|||
| {{sort|1857-12|1857 / 12}} |
|||
| {{sort|Tokyo Chuo Nihonbashi|Nihonbashi, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|3.19|N|139|46|28.72|E|region:JP_dim:360|name=Nihonbashi and Edobashi Bridges}} |
|||
| [[File:100 views edo 043.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|44 |
|||
| {{nihongo|View of Nihonbashi itchōme Street|日本橋通一丁目略図|Nihonbashi Tōri itchōme ryakuzu}} |
|||
| Nihonbashi itchōme Street |
|||
| Shirokiya shop on the right developed into one of the city's largest department stores and finally became part of the [[Tokyu Group]] |
|||
| {{sort|1858-08|1858 / 8}} |
|||
| {{sort|Tokyo Chuo Nihonbashi|Nihonbashi, [[Chūō, Tokyo|Chūō]]<br/>{{coord|35|40|57.1|N|139|46|23.73|E|region:JP_dim:220|name=View of Nihonbashi itchōme Street}}}} |
|||
| [[File:100 views edo 044.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|45 (62) |
|||
| {{nihongo|Yatsumi Bridge|八ツ見のはし|Yatsumi no hashi}} |
|||
| Yatsumi Bridge, [[Edo Castle]], [[Mount Fuji]] |
|||
| {{center|—}} |
|||
| {{sort|1856-08|1856 / 8}} |
|||
| {{sort|Tokyo Chuo Nihonbashihongoku|Yaesu and Nihonbashihongoku-chō, [[Chūō, Tokyo|Chūō]]<br/>{{coord|35|41|6.67|N|139|46|16.63|E|region:JP_dim:310|name=Yatsumi Bridge}}}} |
|||
| [[File:100 views edo 062.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|46 (45) |
|||
| {{nihongo||鎧の渡し小網町|Yoroi no watashi Koami-chō}} |
|||
| Nihonbashi River, Yoroi ferry |
|||
| {{center|—}} |
|||
| {{sort|1857-10|1857 / 10}} |
|||
| {{sort|Tokyo Chuo Nihonbashikoamicho|Nihonbashikoami-chō, [[Chūō, Tokyo|Chūō]]}} |
|||
| [[File:100 views edo 045.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|47 (46) |
|||
| {{nihongo|Seidō Shrine and the Kanda River from Shōhei Bridge|昌平橋聖堂神田川|Shōheibashi Seidō Kandagawa}} |
|||
| Shōhei Bridge, Shōheizaka hill, [[Kanda River]], wall of Seidō Shrine |
|||
| Exaggerated size of hill on left |
|||
| {{sort|1857-09|1857 / 9}} |
|||
| {{sort|Tokyo Bunkyo Toshima|Toshima, [[Bunkyō, Tokyo|Bunkyō]]}} |
|||
| [[File:100 views edo 046.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|48 (63) |
|||
| {{nihongo|Suidō Bridge and the Surugadai Quarter|水道橋駿河台|Suidōbashi Surugadai}} |
|||
| [[Kanda River]], Suidō Bridge, Surugadai samurai quarter, [[Edo Castle]], [[Mount Fuji]] |
|||
| [[Koinobori]] carp streamers place the scene around the Boy's festival on the 5th day of the 5th month, the same month as the print was approved by the censors |
|||
| {{sort|1857-05|1857 / i5}} |
|||
| {{sort|Tokyo Chiyoda Surugadai|Surugadai, [[Chiyoda, Tokyo|Chiyoda]]}}<br/>{{coord|35|42|8.15|N|139|45|27.61|E|region:JP_dim:480|name=Suidō Bridge and the Surugadai Quarter}} |
|||
| [[File:100 views edo 063.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|49 (47) |
|||
| {{nihongo|Fudō Falls in Ōji|王子不動之滝|Ōji Fudō no taki}} |
|||
| Fudō Falls |
|||
| {{center|—}} |
|||
| {{sort|1857-09|1857 / 9}} |
|||
| {{sort|Tokyo Kita Oji|Ōji, [[Kita, Tokyo|Kita]]}} |
|||
| [[File:100 views edo 047.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|50 (64) |
|||
| {{nihongo|Kumano Jūnisha Shrine at Tsunohazu, known as "Jūnisō"|角筈熊野十二社俗称十二そう|Tsunohazu Kumano Jūnisha zokushō Jūnisō}} |
|||
| Kumano Jūnisha Shrine |
|||
| {{center|—}} |
|||
| {{sort|1856-07|1856 / 7}} |
|||
| {{sort|Tokyo Shinjuku Nishi-Shinjuku|Nishi-Shinjuku, [[Shinjuku, Tokyo|Shinjuku]]}}<br/>{{coord|35|41|26.59|N|139|41|18.95|E|type:landmark_region:JP_dim:170|name=Kumano Jūnisha Shrine at Tsunohazu, known as "Jūnisō"}} |
|||
| [[File:Hiroshige, Kumanojūnisha Shrine, 1856.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|51 (65) |
|||
| {{nihongo|The Sannō Festival Procession at Kōjimachi itchōme|糀町一丁目山王祭ねり込|Kōjimachi itchōme Sannō Matsuri nerikomi}} |
|||
| Moat and Hanzōmon Gate of [[Edo Castle]] |
|||
| Sannō Festival was held one month prior to the approval of the print |
|||
| {{sort|1856-07|1856 / 7}} |
|||
| {{sort|Tokyo Chiyoda Kojimachi|Kōjimachi, [[Chiyoda, Tokyo|Chiyoda]]}}<br/>{{coord|35|40|52.84|N|139|44|42.58|E|region:JP_dim:310|name=The Sannō Festival Procession at Kōjimachi itchōme}} |
|||
| [[File:100 views edo 065.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|52 (48) |
|||
| {{nihongo|The Paulownia Garden at Akasaka|赤坂桐畑|Akasaka Kiribatake}} |
|||
| Paulownia Garden, Tameike Pond, [[Hie Shrine]], residence of [[daimyo]] [[Kuroda clan|Kuroda]] from [[Fukuoka Domain|Fukuoka]] |
|||
| Hie Shrine is location for the Sannō Festival (see no. 51) |
|||
| {{sort|1856-04|1856 / 4}} |
|||
| {{sort|Tokyo Minato Akasaka|Akasaka, [[Minato, Tokyo|Minato]]}} |
|||
| [[File:100 views edo 048.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|53 (49) |
|||
| {{nihongo|The Pagoda of Zōjōji Temple and Akabane|増上寺塔赤羽根|Zōjōjitō Akabane}} |
|||
| [[Zōjō-ji]], Akabane Bridge, residence of [[daimyo]] Arima from [[Kurume Domain|Kurume]] |
|||
| {{center|—}} |
|||
| {{sort|1857-01|1857 / 1}} |
|||
| {{sort|Tokyo Minato Shibakoen|Shibakōen, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|39|17.86|N|139|44|48.76|E|region:JP_dim:480|name=The Pagoda of Zōjōji Temple and Akabane}} |
|||
| [[File:100 views edo 049.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|54 (66) |
|||
| {{nihongo|The Benkei Moat from Soto-Sakurada to Kōjimachi|外桜田弁慶堀糀町|Soto-Sakurada Benkeibori Kōjimachi}} |
|||
| South-west embankment and moat of [[Edo Castle]], residence of [[daimyo]] [[Ii clan|Ii]] from the [[Hikone Domain]], Kōjimachi watchtower |
|||
| Kōjimachi watchtower had been restored two months prior to publication after burning down in the [[1855 Ansei Edo earthquake|1855 earthquake]] |
|||
| {{sort|1856-05|1856 / 5}} |
|||
| {{sort|Tokyo Chiyoda Kojimachi|Kōjimachi, [[Chiyoda, Tokyo|Chiyoda]]}}<br/>{{coord|35|40|38.69|N|139|45|2.16|E|region:JP_dim:1800|name=The Benkei Moat from Soto-Sakurada to Kōjimachi}} |
|||
| [[File:100 views edo 066.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|55 (50) |
|||
| {{nihongo|The Sumiyoshi Festival at Tsukudajima|佃しま住吉の祭|Tsukudajima Sumiyoshi no matsuri}} |
|||
| Tsukudajima Island |
|||
| The Sumiyoshi Festival is held on the 29th of the sixth month, i.e., in the month prior to publication of this print; writer of the inscription is identified on the banner as the creator of the table of contents of this series, Seikengū Gengyo |
|||
| {{sort|1857-07|1857 / 7}} |
|||
| {{sort|Tokyo Chuo Tsukuda|Tsukuda, [[Chūō, Tokyo|Chūō]]}} |
|||
| [[File:Hiroshige, Sumiyoshi festival, Tsukudajima, 1857.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|56 (51) |
|||
| {{nihongo|Mannen Bridge in Fukagawa|深川萬年橋|Fukagawa Mannenbashi}} |
|||
| Mannen Bridge, [[Mount Fuji]] |
|||
| {{center|—}} |
|||
| {{sort|1857-11|1857 / 11}} |
|||
| {{sort|Tokyo Koto Tokiwa|Tokiwa / Kiyosumi, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|41|0.4|N|139|47|38.82|E|region:JP_dim:550|name=Mannen Bridge in Fukagawa}} |
|||
| [[File:100 views edo 051.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|57 (67) |
|||
| {{nihongo|Mitsumata Wakarenofuchi|みつまたわかれの淵|}} |
|||
| [[Sumida River]], [[Mount Fuji]] |
|||
| Reed-covered sandbank alludes to the artificial Nakazu island, location of a famous 18th century pleasure district that was demolished in the course of the [[Kansei Reforms]] |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Chuo Nihonbashinakasu|Nihonbashinakasu, [[Chūō, Tokyo|Chūō]]}} |
|||
| [[File:100 views edo 067.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|58 (52) |
|||
| {{nihongo|Sudden Shower over Shin-Ōhashi bridge and Atake|大はしあたけの夕立|Ōhashi atake no yūdachi}} |
|||
| Shin-Ōhashi bridge, [[Sumida River]], Atake district |
|||
| Considered to be a masterpiece and possibly Hiroshige's most famous work; copied by [[Vincent van Gogh]] |
|||
| {{sort|1857-09|1857 / 9}} |
|||
| {{sort|Tokyo Chuo Nihonbashihamacho|Nihonbashihama-chō, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|5.48|N|139|47|30.98|E|region:JP_dim:300|name=Sudden Shower over Shin-Ōhashi bridge and Atake}} |
|||
| [[File:Hiroshige, Sudden shower over Shin-Ōhashi bridge and Atake, 1857.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|59 (53) |
|||
| {{nihongo|Ryōgoku Bridge and the Great Riverbank|両国橋大川ばた|Ryōgokubashi Ōkawabata}} |
|||
| [[Sumida River]], Ryōgoku Bridge |
|||
| At the time Japan's largest bridge |
|||
| {{sort|1856-08|1856 / 8}} |
|||
| {{sort|Tokyo Chuo Higashinihonbashi|Higashi-nihonbashi, [[Chūō, Tokyo|Chūō]] / Ryōgoku, [[Sumida, Tokyo|Sumida]]}} |
|||
| [[File:100 views edo 053.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|60 (68) |
|||
| {{nihongo|Asakusa River, Miyato River, Great Riverbank|浅草川大川端宮戸川|Asakusagawa Ōkawabata Miyatogawa}} |
|||
| [[Sumida River]], [[Mount Tsukuba]] |
|||
| Depicts pilgrimage to [[Mount Ōyama (Kanagawa)|Mount Ōyama]], the pilgrim's return from the mountain is shown in no. 76; names in title are synonymous names for the depicted section of the Sumida River; in later prints, the title was simplified to: ''In Boats at Ryōgoku with a distant View of Asakusa'' |
|||
| {{sort|1857-07|1857 / 7}} |
|||
| {{sort|Tokyo Chuo Tsukuda|Tsukuda, [[Chūō, Tokyo|Chūō]]}} |
|||
| [[File:100 views edo 068.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|61 (54) |
|||
| {{nihongo|The "Pine of Success" and Oumayagashi on the Asakusa River|浅草川首尾の松御厩河岸|Asakusagawa shubi no matsu Oumayagashi}} |
|||
| [[Sumida River]], Oumayagashi ferry |
|||
| Hiroshige's "Illustrated Souvenirs of Edo" contains a mirror image of this view with a woman standing upright in the boat |
|||
| {{sort|1856-08|1856 / 8}} |
|||
| {{sort|Tokyo Taito Kuramae|Kuramae, [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo oumaya.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|62 (55) |
|||
| {{nihongo|Komakata Hall and Azuma Bridge|駒形堂吾嬬橋|Komakatadō Azumabashi}} |
|||
| Komakata Hall, [[Sumida River]], Azuma Bridge, Asakusa district |
|||
| [[Lesser Cuckoo]] (''hototogisu'') and Komakata Hall in the print allude to a 17th century love poem attributed to Takao II, courtesan and lover of [[Date Tsunamune]]: Are you now, my love, near Komakata? Cry of the cuckoo!"<ref group="nb">In Japanese poetry the cry of the cuckoo is a symbol of longing and loneliness.</ref> |
|||
| {{sort|1857-01|1857 / 1}} |
|||
| {{sort|Tokyo Chuo Asakusa|Asakusa, [[Chūō, Tokyo|Chūō]]}} |
|||
| [[File:100 views edo 055.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|63 (69) |
|||
| {{nihongo|The Ayase River and Kanegafuchi|綾瀬川鐘か淵|Ayasegawa Kanegafuchi}} |
|||
| [[Sumida River]], [[Ayase River]] |
|||
| Northernmost point of the Sumida river depicted in this series |
|||
| {{sort|1857-01|1857 / 1}} |
|||
| {{sort|Tokyo Adachi Senjuakebonocho|Senjuakebono-chō, [[Adachi, Tokyo|Adachi]]}}<br/>{{coord|35|44|24.94|N|139|48|41.77|E|region:JP_dim:710|name=The Ayase River and Kanegafuchi}} |
|||
| [[File:100 views edo 069.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|64 (56) |
|||
| {{nihongo|Horikiri Iris Garden|堀切の花菖蒲|Horikiri no hanashōbu}} |
|||
| Horikiri Iris Garden |
|||
| Influenced European [[Art Nouveau]] |
|||
| {{sort|1857-05|1857 / i5}} |
|||
| {{sort|Tokyo Katsushika Horikiri|Horikiri, [[Katsushika, Tokyo|Katsushika]]}} |
|||
| [[File:Hiroshige, Horikiri iris garden, 1857.jpg|120px]] |
|||
|- |
|||
!style="background:#FCF75E;"|65 (57) |
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| {{nihongo|Inside Kameido Tenjin Shrine|亀戸天神境内|Kameidō Tenjin keidai}} |
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| Drum bridge and garden at [[Kameido Tenjin Shrine]] |
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| Flowering [[wisteria]] indicates summer season |
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| {{sort|1856-07|1856 / 7}} |
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| {{sort|Tokyo Koto Kameido|Kameido, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|42|7.97|N|139|49|15.53|E|region:JP_dim:130|name=Inside Kameido Tenjin Shrine}} |
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| [[File:100 views edo 057.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|66 (70) |
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| {{nihongo|The Sazaidō Hall at the Five Hundred Rakan Temple|五百羅漢さゞゐ堂|Gohyaku Rakan Sazaidō}} |
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| Sazaidō Hall |
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| {{center|—}} |
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| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Koto Oshima|Ōshima, [[Kōtō, Tokyo|Kōtō]]}} |
|||
| [[File:100 views edo 070.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|67 (58) |
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| {{nihongo|The Ferry at Sakasai|逆井のわたし|Sasakai no watashi}} |
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| [[Nakagawa River]] |
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| {{center|—}} |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Koto Kameido|Kameido, [[Kōtō, Tokyo|Kōtō]] / Hirai, [[Edogawa, Tokyo|Edogawa]]}} |
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| [[File:100 views edo 058.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|68 (59) |
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| {{nihongo|Open Garden at the Hachiman Shrine in Fukagawa|深川八まん山ひらき|Fukagawa Hachiman yamahiraki}} |
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| Garden at Hachiman Shrine |
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| Print shows both azaleas and cherry trees in blossom which is unnatural for Edo; hill in the back is one of many miniature Mount Fuji that were scattered all over Edo |
|||
| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Koto Tomioka|Tomioka, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|40|21.46|N|139|47|53.96|E|region:JP_dim:400|name=Open Garden at the Hachiman Shrine in Fukagawa}} |
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| [[File:100 views edo 059.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|69 (71) |
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| {{nihongo|Sanjusangendō Hall in Fukagawa|深川三十三間堂|Fukagawa Sanjusangendō}} |
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| Sanjusangendō, Kiba lumberyards (see no. 106) |
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| About half of the hall is depicted |
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| {{sort|1857-08|1857 / 8}} |
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| {{sort|Tokyo Koto Tomioka|Tomioka, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|40|17.16|N|139|48|2.46|E|region:JP_dim:480|name=Sanjusangendō Hall in Fukagawa}} |
|||
| [[File:100 views edo 071.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|70 (60) |
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| {{nihongo|The mouth of the Nakagawa River|中川口|Nakagawaguchi}} |
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| Onagigawa Canal, [[Nakagawa River]], Shinkawa Canal |
|||
| Nakagawa River is the broad waterway in the middle running left-right<ref group="nb">Its mouth (into [[Edo Bay]]) is not depicted in the print</ref> |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Koto Higashisuna|Higashisuna, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|41|12.48|N|139|50|44.41|E|region:JP_dim:480|name=The mouth of the Nakagawa River}} |
|||
| [[File:100 views edo 060.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|71 (61) |
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| {{nihongo|Scattered Pines on the Tone River|利根川ばらばらま|Tonegawa barabarama}} |
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| [[Tone River]] |
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| {{center|—}} |
|||
| {{sort|1856-08|1856 / 8}} |
|||
| {{sort|Tokyo Edogawa Higashikasai|Higashi-kasai, [[Edogawa, Tokyo|Edogawa]]}} |
|||
| [[File:100 views edo 061.jpg|120px]] |
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|- |
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!style="background:#FCF75E;"|72 |
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| {{nihongo|The Ferry at Haneda and the Benten Shrine|はねたのわたし弁天の社|Haneda no watashi Benten no yashiro}} |
|||
| [[Tama River]], [[Benten]] Shrine, [[Edo Bay]] |
|||
| The ground of the Benten Shrine is now occupied by [[Haneda Airport]] |
|||
| {{sort|1858-08|1858 / 8}} |
|||
| {{sort|Tokyo Ota Haneda|Haneda, [[Ōta, Tokyo|Ōta]]}}<br/>{{coord|35|32|35.49|N|139|44|39.6|E|region:JP_dim:6800|name=The Ferry at Haneda and the Benten Shrine}} |
|||
| [[File:100 views edo 072.jpg|120px]] |
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|- |
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!style="background:#E34234;"|73 |
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| {{nihongo|The City Flourishing, the Tanabata Festival|市中繁栄七夕祭|Shichū han'ei Tanabata matsuri}} |
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| [[Edo Castle]], [[Mount Fuji]] |
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| Arguably shows the view from Hiroshige's house; only print in series without a place name in the title |
|||
| {{sort|1857-07|1857 / 7}} |
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|<br/>{{coord|35|40|31.41|N|139|46|17.09|E|region:JP_dim:990|name=The City Flourishing, the Tanabata Festival}} |
|||
| [[File:100 views edo 073.jpg|120px]] |
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|- |
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!style="background:#E34234;"|74 |
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| {{nihongo|Silk Shops in Ōdenma-chō|大伝馬町ごふく店|Ōdenma-chō gofukudana}} |
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| [[Daimaru]] silk merchant shops |
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| People depicted are carpenters |
|||
| {{sort|1858-07|1858 / 7}} |
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| {{sort|Tokyo Chuo Nihonbashiodenma|Nihonbashiōdenma-chō, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|41|26.42|N|139|46|48.78|E|region:JP_dim:140|name=Silk Shops in Ōdenma-chō}} |
|||
| [[File:100 views edo 074.jpg|120px]] |
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|- |
|||
!style="background:#E34234;"|75 |
|||
| {{nihongo|The Dyers' Quarter in Kanda|神田紺屋町|Kanda konya-chō}} |
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| Kanda dye works, [[Edo Castle]], [[Mount Fuji]] |
|||
| [[Kanji]] on first two white-blue fabrics reads "sakana" and is a reference to the publisher Sakanaya Eikichi, last two white-blue fabrics contain Hiroshige's monogram |
|||
| {{sort|1857-11|1857 / 11}} |
|||
| {{sort|Tokyo Chiyoda Kandakonya|Kandakonya-chō, [[Sumida, Tokyo|Sumida]]}}<br/>{{coord|35|41|29.98|N|139|46|28.06|E|region:JP_dim:170|name=The Dyers' Quarter in Kanda}} |
|||
| [[File:Hiroshige Le quartier des teinturiers de Kanda.jpg|120px]] |
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|- |
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!style="background:#E34234;"|76 |
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| {{nihongo|Bamboo Quay by Kyōbashi Bridge|京橋竹がし|Kyōbashi Takegashi}} |
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| Kyōbashi River, Kyōbashi Bridge |
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| {{center|—}} |
|||
| {{sort|1857-12|1857 / 12}} |
|||
| {{sort|Tokyo Chuo Kyobashi|Kyōbashi, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|40|30.72|N|139|46|6.93|E|region:JP_dim:350|name=Bamboo Quay by Kyōbashi Bridge}} |
|||
| [[File:100 views edo 076.jpg|120px]] |
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|- |
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!style="background:#E34234;"|77 |
|||
| {{nihongo|Inari Bridge and the Minato Shrine in Teppōzu|鉄砲洲稲荷橋湊神社|Teppōzu Inaribashi Minato jinja}} |
|||
| Hatchōbori Canal, [[Minato Shrine]], Inari Bridge, [[Mount Fuji]] |
|||
| {{center|—}} |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Chuo Minato|Minato, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|40|25.48|N|139|46|52.31|E|dim:690|name=Inari Bridge and the Minato Shrine in Teppōzu}} |
|||
| [[File:100 views edo 077.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|78 |
|||
| {{nihongo|Teppōzu and Tsukiji Monzeki Temple|鉄砲洲築地門跡|Teppōzu Tsukiji Monzeki}} |
|||
| [[Sumida River]], Nishi Hongan-ji Temple |
|||
| Like no. 79, this print has the changed series title: ''Entertaining Supplements to the One Hundred Famous Views of Edo'', as likely Hiroshige wanted to end this series having produced 110 plates already at the time; he resumed the original title on the publisher insisting to do so |
|||
| {{sort|1858-07|1858 / 7}} |
|||
| {{sort|Tokyo Chuo Tsukiji|Tsukiji, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|39|54.82|N|139|46|44.44|E|dim:1400|name=Teppōzu and Tsukiji Monzeki Temple}} |
|||
| [[File:100 views edo 078.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|79 |
|||
| {{nihongo|Shiba Shinmei Shrine and Zōjōji Temple|芝神明増上寺|Shiba Shinmei Zōjōji}} |
|||
| Shiba Shinmei Shrine, [[Zōjō-ji|Zōjōji]] |
|||
| {{center|—}} |
|||
| {{sort|1858-07|1858 / 7}} |
|||
| {{sort|Tokyo Minato Shibakoen|Shibakōen, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|39|24.54|N|139|45|12.36|E|region:JP_dim:970|name=Shiba Shinmei Shrine and Zōjōji Temple}} |
|||
| [[File:100 views edo 079.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|80 |
|||
| {{nihongo|Kanasugi Bridge and Shibaura|金杉橋芝浦|Kanasugibashi Shibaura}} |
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| Kanasugi Bridge |
|||
| Print shows pilgrims of the [[Nichiren]] sect; brown and white cloths at bottom left contain abbreviation "Uoei" of the publisher's name Sakanaya Eikichi |
|||
| {{sort|1857-07|1857 / 7}} |
|||
| {{sort|Tokyo Minato Hamamatsucho|Hamamatsu-chō, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|39|11.06|N|139|45|14.56|E|region:JP_dim:290|name=Kanasugi Bridge and Shibaura}} |
|||
| [[File:100 views edo 080.jpg|120px]] |
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|- |
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!style="background:#E34234;"|81 |
|||
| {{nihongo|Ushimachi in Takanawa|高輪うしまち|Takanawa ushimachi}} |
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| [[Tōkaidō (road)|Tōkaidō]], [[Edo Bay]] with ''daiba'' |
|||
| Place name Takanawa meaning "high wheel" is symbolized by the wheel on the right and the rainbow |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Minato Takanawa|Takanawa, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|38|17.19|N|139|44|24.6|E|region:JP_dim:1500|name=Ushimachi in Takanawa}} |
|||
| [[File:100 views edo 081.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|82 |
|||
| {{nihongo|Moon Viewing|月の岬|[[Tsuki no Misaki]]}} |
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| [[Edo Bay]] |
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| Approximately same view as no. 83 |
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| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Minato Mita|Mita, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|37|19.01|N|139|44|25.51|E|region:JP_dim:250|name=Moon Viewing}} |
|||
| [[File:100 views edo 082.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|83 |
|||
| {{nihongo|Shinagawa Susaki|品川すさき|}} |
|||
| [[Meguro River]], [[Benten]] Shrine, [[Edo Bay]] with ''daiba'' |
|||
| Establishment depicted in no. 82 might be the one cropped in the bottom left of this print |
|||
| {{sort|1856-04|1856 / 4}} |
|||
| {{sort|Tokyo Shinagawa Higashishinagawa|Higashi-shinagawa, [[Shinagawa, Tokyo|Shinagawa]]}}<br/>{{coord|35|37|11.29|N|139|44|35.47|E|region:JP_dim:1300|name=Shinagawa Susaki}} |
|||
| [[File:100 views edo 083.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|84 |
|||
| {{nihongo|"Grandpa's Teahouse" in Meguro|目黒爺々が茶屋|Meguro jijigachaya}} |
|||
| Teahouse and teastall, [[Mount Fuji]] |
|||
| {{center|—}} |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Meguro Mita|Mita, [[Meguro, Tokyo|Meguro]]}}<br/>{{coord|35|38|26.73|N|139|42|33.28|E|region:JP_dim:230|name="Grandpa's Teahouse" in Meguro}} |
|||
| [[File:100 views edo 084.jpg|120px]] |
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|- |
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!style="background:#E34234;"|85 |
|||
| {{nihongo|Kinokuni Hill and Distant View of Akasaka and the Tameike Pond|紀ノ国坂赤坂溜池遠景|Kinokunizaka Akasaka Tameike enkei}} |
|||
| outer Benkeibori moat of [[Edo Castle]] |
|||
| People depicted are samurai |
|||
| {{sort|1857-09|1857 / 9}} |
|||
| {{sort|Tokyo Minato Akasaka|Akasaka, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|40|46.34|N|139|43|56.89|E|region:JP_dim:230|name=Kinokuni Hill and Distant View of Akasaka and the Tameike Pond}} |
|||
| [[File:100 views edo 085.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|86 |
|||
| {{nihongo|Naitō Shinjuku in Yotsuya|四ッ谷内藤新宿|Yotsuya Naitō Shinjuku}} |
|||
| Naitō Shinjuku (first station of the [[Kōshū Kaidō]]) |
|||
| Depiction of horse dung was criticized for being vulgar; Hiroshige likely alludes to the quote: "flowers thriving on the horse dung of Yotsuya" from the 1775 book ''Master Flashgold's Splendiferous Dream'' referring to the prostitutes of Shinjuku |
|||
| {{sort|1857-11|1857 / 11}} |
|||
| {{sort|Tokyo Shinjuku Shinjuku|Shinjuku, [[Shinjuku, Tokyo|Shinjuku]]}}<br/>{{coord|35|41|23.1|N|139|42|25.52|E|region:JP_dim:230|name=Naitō Shinjuku in Yotsuya}} |
|||
| [[File:100 views edo 086.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|87 |
|||
| {{nihongo|Benten Shrine at the Inokashira Pond|井の頭の池弁天の社|Inokashira no ike Benten no yashiro}} |
|||
| [[Benten]] Shrine, Inokashira Pond |
|||
| Depicts most western point of the series and location furthest away from central Edo |
|||
| {{sort|1856-04|1856 / 4}} |
|||
| {{sort|Tokyo Musashino Inokashira Park|Inokashira Park, [[Musashino, Tokyo|Musashino]]}}<br/>{{coord|35|41|57.44|N|139|34|25.85|E|region:JP_dim:700|name=Benten Shrine at the Inokashira Pond}} |
|||
| [[File:100 views edo 087.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|88 |
|||
| {{nihongo|The Takinogawa in Ōji|王子滝の川|Ōji Takinogawa}} |
|||
| [[Takinogawa]], Matsubashi Benten Shrine, Kongo-ji Temple |
|||
| Original orange color of autumn color has turned brownish-black due to oxidation over time |
|||
| {{sort|1856-04|1856 / 4}} |
|||
| {{sort|Tokyo Kita Oji|Ōji, [[Kita, Tokyo|Kita]]}} |
|||
| [[File:100 views edo 088.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|89 |
|||
| {{nihongo|"Moon Pine" in Ueno|上野山内月のまつ|Ueno sannai Tsuki no matsu}} |
|||
| Moon Pine, [[Shinobazu Pond]], [[Benten]] Shrine |
|||
| {{center|—}} |
|||
| {{sort|1857-08|1857 / 8}} |
|||
| <br/>{{coord|35|42|44.93|N|139|46|22.5|E|region:JP_dim:380|name="Moon Pine" in Ueno}} |
|||
| [[File:100 views edo 089.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|90 |
|||
| {{nihongo|Night View of Sarukawa-machi|猿わか町よるの景|Saruwaka-machi yoru no kei}} |
|||
| Sarukawa-chō street with theatres |
|||
| Notable for the use of peoples' shadows giving the impression of puppets on a stage; the street was home to the [[kabuki]] and [[bunraku]] theatres |
|||
| {{sort|1856-09|1856 / 9}} |
|||
| {{sort|Tokyo Taito Asakusa|[[Asakusa]], [[Taitō, Tokyo|Taitō]]}}<br/>{{coord|35|43|3.07|N|139|48|3.34|E|region:JP_dim:170|name=Night View of Sarukawa-machi}} |
|||
| [[File:Hiroshige, Night View of Saruwakacho.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|91 |
|||
| {{nihongo|In the Akiba Shrine at Ukeji|請地秋葉の境内|Ukechi Akiba no keinai}} |
|||
| Garden of Akiba Shrine |
|||
| People depicted in the bottom left might be Hiroshige as a monk with painting utensils,<ref group="nb">Hiroshige had become a monk in 1856.</ref> his wife Yasu and their adopted daughter Tatsu according to Henry D. Smith |
|||
| {{sort|1857-08|1857 / 8}} |
|||
| {{sort|Tokyo Sumida Mukojima|Mukōjima, [[Sumida, Tokyo|Sumida]]}}<br/>{{coord|35|43|2.57|N|139|48|43.05|E|region:JP_dim:380|name=In the Akiba Shrine at Ukeji}} |
|||
| [[File:100 views edo 091.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|92 |
|||
| {{nihongo|Mokuboji Temple and Vegetable Fields on Uchigawa Inlet|木母寺内川御前栽畑|Mokubōji Uchigawa Gozensaibata}} |
|||
| Uchigawa inlet of [[Sumida River]], Uekiya Han'emon restaurant |
|||
| The Mokuboji temple mentioned in the title is close but not depicted in this print; [[Tokugawa Iesada]] had visited the restaurant one month before publication of the print |
|||
| {{sort|1857-12|1857 / 12}} |
|||
| {{sort|Tokyo Sumida Tsutsumidori|Tsutsumidōri, [[Sumida, Tokyo|Sumida]]}}<br/>{{coord|35|44|0.61|N|139|48|51.97|E|region:JP_dim:570|name=Mokuboji Temple and Vegetable Fields on Uchigawa Inlet}} |
|||
| [[File:100 views edo 092.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|93 |
|||
| {{nihongo|Niijuku Ferry|にい宿のわたし|Niijuku no watashi}} |
|||
| [[Nakagawa River]] |
|||
| Northeasternmost scene of the series confirmed by detailed depiction of the Edo side of the river and vagueness on the oppposite bank |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Shinjuku Katsushika|Katsushika, [[Shinjuku, Tokyo|Shinjuku]]}} |
|||
| [[File:100 views edo 093.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|94 |
|||
| {{nihongo|The Maple Trees at Mama, the Tekona Shrine and Tsugihashi Bridge|真間の紅葉手古那の社継はし|Mama no momiji Tekona no yashiro Tsugihashi}} |
|||
| [[Edogawa River]], Tekona Shrine, Tsugihashi Bridge |
|||
| Original orange color of autumn color has turned brownish-black due to oxidation over time |
|||
| {{sort|1857-01|1857 / 1}} |
|||
| {{sort|Chiba Ichikawa Mama|Mama, [[Ichikawa, Chiba|Ichikawa]], [[Chiba Prefecture]]}}<br/>{{coord|35|44|21.96|N|139|54|32.79|E|region:JP_dim:2300|name=The Maple Trees at Mama, the Tekona Shrine and Tsugihashi Bridge}} |
|||
| [[File:100 views edo 094.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|95 |
|||
| {{nihongo|View of Kōnodai and the Tone River|鴻の台とね川風景|Kōnodai Tonegawa Fūkei}} |
|||
| [[Tone River]] (today [[Edogawa]]), [[Mount Fuji]] |
|||
| {{center|—}} |
|||
| {{sort|1856-05|1856 / 5}} |
|||
| {{sort|Chiba Ichikawa Konodai|Kōnodai, [[Ichikawa, Chiba|Ichikawa]], [[Chiba Prefecture]]}}<br/>{{coord|35|44|51.77|N|139|53|51.07|E|region:JP_dim:610|name=View of Kōnodai and the Tone River}} |
|||
| [[File:100 views edo 095.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|96 |
|||
| {{nihongo|Horie and Nekozane|堀江ねこざね|Horie Nekozane}} |
|||
| branch of the [[Edogawa River]], Horie and Nekozane villages, [[Edo Bay]], [[Mount Fuji]] |
|||
| One of the first five prints sanctioned by the censors |
|||
| {{sort|1856-02|1856 / 2}} |
|||
| {{sort|Chiba Urayasu Nekozane|Nekozane, [[Urayasu, Chiba|Urayasu]], [[Chiba Prefecture]]}} |
|||
| [[File:100 views edo 096.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|97 |
|||
| {{nihongo|"Five Pines" and the Onagi Canal|小奈木川五本まつ|Ongagigawa Gohonmatsu}} |
|||
| Onagi Canal |
|||
| Tree depicted is the only surviving of five pines and was at the time of Hiroshige known as "Five Pines"; Onagi Canal was in fact straight |
|||
| {{sort|1856-07|1856 / 7}} |
|||
| {{sort|Tokyo Koto|[[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|41|5.67|N|139|49|0.31|E|region:JP_dim:460|name="Five Pines" and the Onagi Canal}} |
|||
| [[File:100 views edo 097.jpg|120px]] |
|||
|- |
|||
!style="background:#E34234;"|98 |
|||
| {{nihongo|Fireworks by Ryōgoku Bridge|両国花火|Ryōgoku hanabi}} |
|||
| [[Sumida River]], Ryōgoku Bridge |
|||
| {{center|—}} |
|||
| {{sort|1858-08|1858 / 8}} |
|||
| {{sort|Tokyo Sumida Ryogoku|Ryōgoku, [[Sumida, Tokyo|Sumida]]}} |
|||
| [[File:100 views edo 098.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|99 |
|||
| {{nihongo|Kinryūzan Temple in Asakusa|浅草金龍山|Asakusa Kinryūzan}} |
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| [[Kaminarimon]], [[Hōzōmon]] and [[tō|pagoda]] of [[Sensō-ji]] |
|||
| Thought to commemorate the restoration of the pagoda two month prior to the publication of the print after damage suffered in the [[1855 Ansei Edo earthquake|1855 earthquake]] |
|||
| {{sort|1856-07|1856 / 7}} |
|||
| {{sort|Tokyo Taito Asakusa|[[Asakusa]], [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 099.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|100 |
|||
| {{nihongo|Nihon Embankment and Yoshiwara|よし原日本堤|Yoshiwara Nihondzutsumi}} |
|||
| Nihon Embankment, [[Yoshiwara]] |
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| {{center|—}} |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Taito Asakusa|[[Asakusa]], [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 100.jpg|120px]] |
|||
|- |
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!style="background:#ADD8E6;"|101 |
|||
| {{nihongo|Asakusa Rice Fields and Torinomachi Festival|浅草田甫酉の町詣|Asakusa tanbu Torinomachi mōde}} |
|||
| [[Yoshiwara]] teahouse, Chōkoku-ji temple, [[Mount Fuji]] |
|||
| White cat represents courtesan who just finished her work; the festival of the rooster is hinted at by bear's paw hairpins resembling the good luck rakes carried by pilgrims in the background |
|||
| {{sort|1857-11|1857 / 11}} |
|||
| {{sort|Tokyo Taito Asakusa|[[Asakusa]], [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 101.jpg|120px]] |
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|- |
|||
!style="background:#ADD8E6;"|102 |
|||
| {{nihongo|Minowa, Kanasugi and Mikawashima|蓑輪金杉三河しま|Minowa Kanasugi Mikawashima}} |
|||
| Minowa, Kanasugi and Mikawashima villages |
|||
| {{center|—}} |
|||
| {{sort|1857-05|1857 / i5}} |
|||
| {{sort|Tokyo Taito Asakusa|[[Asakusa]], [[Taitō, Tokyo|Taitō]]}}<br/>{{coord|35|43|55.64|N|139|46|46.41|E|region:JP_dim:360|name=Minowa, Kanasugi and Mikawashima}} |
|||
| [[File:Hiroshige, Minowa, Kanasugi, Mikawashima, 1857.jpg|120px]] |
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|- |
|||
!style="background:#ADD8E6;"|103 |
|||
| {{nihongo|Senju Great Bridge|千住の大はし|Senju no ōhashi}} |
|||
| [[Arakawa River]], Senju Great Bridge |
|||
| One of the first five prints sanctioned by the censors |
|||
| {{sort|1856-02|1856 / 2}} |
|||
| {{sort|Tokyo Adachi Senjuhashidomachi|Senjuhashido-machi, [[Adachi, Tokyo|Adachi]] / Minamisenju, [[Arakawa, Tokyo|Arakawa]]}} |
|||
| [[File:100 views edo 103.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|104 |
|||
| {{nihongo|Koume Embankment|小梅堤|Koumetsutsumi}} |
|||
| Yotsugi dōri Canal (see no. 33) |
|||
| {{center|—}} |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Sumida Oshiage|Oshiage, [[Sumida, Tokyo|Sumida]]}}<br/>{{coord|35|42|38.26|N|139|48|30.03|E|region:JP_dim:280|name=Koume Embankment}} |
|||
| [[File:100 views edo 104.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|105 |
|||
| {{nihongo|Oumayagashi|御厩河岸|}} |
|||
| [[Sumida River]] |
|||
| The two women are ''yotaka'' (night hawks), the lowest class of prostitutes whose faces were of ten disfigured forcing them to apply very thick make-up |
|||
| {{sort|1857-12|1857 / 12}} |
|||
| {{sort|Tokyo Taito Kuramae|Kuramae, [[Taitō, Tokyo|Taitō]]}} |
|||
| [[File:100 views edo 105.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|106 |
|||
| {{nihongo|The Fukagawa Lumberyards|深川木場|Fukagawa kiba}} |
|||
| Fukagawa Lumberyards |
|||
| [[Kanji|Character]] for "sakana" on the umbrella refers to Sakanaya Eikichi, the publisher of the series |
|||
| {{sort|1856-08|1856 / 8}} |
|||
| {{sort|Tokyo Koto Kiba|Kiba, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|40|32.05|N|139|48|12.03|E|region:JP_dim:280|name=The Fukagawa Lumberyards}} |
|||
| [[File:100 views edo 106.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|107 |
|||
| {{nihongo|Fukagawa Susaki and Jūmantsubo|深川州崎十万坪|Fukagawa Susaki Jūmantsubo}} |
|||
| [[Mount Tsukuba]] |
|||
| {{center|—}} |
|||
| {{sort|1857-05|1857 / i5}} |
|||
| {{sort|Tokyo Koto Toyo|Tōyō, [[Kōtō, Tokyo|Kōtō]]}}<br/>{{coord|35|39|57.99|N|139|48|32.58|E|region:JP_dim:870|name=Fukagawa Susaki and Jūmantsubo}} |
|||
| [[File:100 views edo 107.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|108 |
|||
| {{nihongo|View of Shiba Coast|芝うらの風景|Shibaura no fūkei}} |
|||
| [[Hamarikyu Gardens]], ''daiba'', [[Edo Bay]] |
|||
| One of the first five prints sanctioned by the censors |
|||
| {{sort|1856-02|1856 / 2}} |
|||
| {{sort|Tokyo Minato Shibaura|Shibaura, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|39|31.29|N|139|46|6.97|E|region:JP_dim:980|name=View of Shiba Coast}} |
|||
| [[File:100 views edo 108.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|109 |
|||
| {{nihongo|Minami Shinagawa and Samezu Coast|南品川鮫洲海岸|Minamishinagawa Samezu kaigan}} |
|||
| [[Edo Bay]], Kaian-ji temple, [[Mount Tsukuba]] |
|||
| Fishermen gather seaweed from submerged tree trunks |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Shinagawa Higashioi|Higashi-Ōi, [[Shinagawa, Tokyo|Shinagawa]]}} |
|||
| [[File:100 views edo 109.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|110 |
|||
| {{nihongo|"Robe-Hanging Pine" at Senzoku no ike|千束の池袈裟懸松|Senzoku no ike Kesakakematsu}} |
|||
| Senzoku no ike, "Robe-Hanging Pine", Hachiman Shrine |
|||
| One of the first five prints sanctioned by the censors; [[Nichiren]] is said to have hung his monk's robe on this pine while resting |
|||
| {{sort|1856-02|1856 / 2}} |
|||
| {{sort|Tokyo Ota Minamisenzoku|Minami-Senzoku, [[Ōta, Tokyo|Ōta]]}}<br/>{{coord|35|36|0.57|N|139|41|30.46|E|region:JP_dim:980|name="Robe-Hanging Pine" at Senzoku no ike}} |
|||
| [[File:100 views edo 110.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|111 |
|||
| {{nihongo|Meguro Drum Bridge and Sunset Hill|目黒太鼓橋夕日の岡|Meguro taikobashi Yūhi no oka}} |
|||
| Drum Bridge, [[Meguro River]] |
|||
| Publication date of this and three other prints (no. 24, 25, 84) depicting Meguro coincides with the exhibition of a [[Fudō Myōō]] icon |
|||
| {{sort|1857-04|1857 / 4}} |
|||
| {{sort|Tokyo Meguro Shimomeguro|Shimomeguro, [[Meguro, Tokyo|Meguro]]}}<br/>{{coord|35|37|56.91|N|139|42|44.27|E|region:JP_dim:250|name=Meguro Drum Bridge and Sunset Hill}} |
|||
| [[File:100 views edo 111.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|112 |
|||
| {{nihongo|Atagoshita and Yabu Lane|愛宕下薮小路|Atagoshita Yabukōji}} |
|||
| Yabu Lane, residences of the [[daimyo]]s Katō from [[Minakuchi Castle|Minakuchi]] and Hijikata from [[Komono Domain|Komono]], gate of [[Atago Shrine (Tokyo)|Atago Shrine]] |
|||
| Yabu Lane is to the far right beyond the bamboo thicket lining it |
|||
| {{sort|1857-12|1857 / 12}} |
|||
| {{sort|Tokyo Minato Nishi-Shinbashi|Nishi-Shinbashi / Toranomon, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|40|5.21|N|139|45|2.41|E|region:JP_dim:120|name=Atagoshita and Yabu Lane}} |
|||
| [[File:100 views edo 112.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|113 |
|||
| {{nihongo|Aoi Slope outside Toranomon gate|虎の門外あふひ坂|Toranomon soto Aoizaka}} |
|||
| Aoi Slope, moat |
|||
| {{center|—}} |
|||
| {{sort|1857-11|1857 / 11}} |
|||
| {{sort|Tokyo Minato Toranomon|Toranomon, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|40|10.64|N|139|44|51.69|E|region:JP_dim:430|name=Aoi Slope outside Toranomon gate}} |
|||
| [[File:100 views edo 113.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|114 |
|||
| {{nihongo|Bikuni Bridge in Snow|びくにはし雪中|Bikunihashi setchū}} |
|||
| Bikuni Bridge, outer moat of [[Edo Castle]] |
|||
| Believed to be created by [[Hiroshige II]] based on empty foreground, depiction of wall and schematic arrangement of snowflakes |
|||
| {{sort|1858-10|1858 / 10}} |
|||
| {{sort|Tokyo Chuo Ginza|Ginza, [[Chūō, Tokyo|Chūō]]}}<br/>{{coord|35|40|33.64|N|139|45|59.3|E|region:JP_dim:150|name=Bikuni Bridge in Snow}} |
|||
| [[File:100 views edo 114.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|115 |
|||
| {{nihongo|The Takata Riding Grounds|高田の馬場|Takada no baba}} |
|||
| Takata Riding Grounds |
|||
| {{center|—}} |
|||
| {{sort|1857-02|1857 / 2}} |
|||
| {{sort|Tokyo Shinjuku Wasedamachi|Waseda-machi, [[Shinjuku, Tokyo|Shinjuku]]}} |
|||
| [[File:100 views edo 115.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|116 |
|||
| {{nihongo|Sugatami Bridge, Omokage Bridge and Jariba at Takata|高田姿見のはし俤の橋砂利場|Takata Sugatami no hashi Omokage no hashi Jariba}} |
|||
| [[Kanda Aqueduct]], Omokage Bridge, Hikawa rice field, Hikawa Shrine, Sugatami Bridge |
|||
| Notable for striking colors; [[Tokugawa Iesada]] crossed the Omokage Bridge in the publication month |
|||
| {{sort|1857-01|1857 / 1}} |
|||
| {{sort|Tokyo Toyoshima Takada|Takada, [[Toyoshima, Tokyo|Toyoshima]]}}<br/>{{coord|35|42|46.32|N|139|42|52.81|E|region:JP_dim:460|name=Sugatami Bridge, Omokage Bridge and Jariba at Takata}} |
|||
| [[File:100 views edo 116.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|117 |
|||
| {{nihongo|View from the Hilltop of Yushima Tenjin Shrine|湯しま天神坂上眺望|Yushima Tenjin sakaue chōbō}} |
|||
| [[Yushima Tenman-gū|Yushima Tenjin Shrine]], [[Shinobazu Pond]], [[Kan'ei-ji]] |
|||
| {{center|—}} |
|||
| {{sort|1856-04|1856 / 4}} |
|||
| {{sort|Tokyo Bunkyo Yushima|Yushima, [[Bunkyō, Tokyo|Bunkyō]]}}<br/>{{coord|35|42|27.05|N|139|46|6.23|E|region:JP_dim:160|name=View from the Hilltop of Yushima Tenjin Shrine}} |
|||
| [[File:100 views edo 117.jpg|120px]] |
|||
|- |
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!style="background:#ADD8E6;"|118 |
|||
| {{nihongo|Foxfire on New Year's Night under the Enoki Tree near Ōji|王子装束ゑの木大晦日の狐火|Ōji shōzoku wenoki ōtsugomorihi no kitsunebi}} |
|||
| [[Celtis sinensis|Enoki tree]] |
|||
| {{center|—}} |
|||
| {{sort|1857-09|1857 / 9}} |
|||
| {{sort|Tokyo Kita Oji|Ōji, [[Kita, Tokyo|Kita]]}}<br/>{{coord|35|45|23.05|N|139|44|16.51|E|region:JP_dim:160|name=Foxfire on New Year's Night under the Enoki Tree near Ōji}} |
|||
| [[File:Hiroshige-100-views-of-edo-fox-fires.jpg|120px]] |
|||
|- |
|||
!style="background:#ADD8E6;"|119 |
|||
| {{nihongo|Night Rain in the Paulownia Garden at Akasaka|赤坂桐畑雨中夕けい|Akasaka kiribatake uchū yūkei}} |
|||
| Tameike Pond |
|||
| Work by [[Hiroshige II]]; not always included in collections of One Hundred Famous Views of Edo; variously thought to be replacement print for no. 52, ''The Paulownia Garden at Akasaka'', or a work on commission by Sakanaya Eikichi, celebrating Hiroshige II's adoption of his name and Hiroshige's seal |
|||
| {{sort|1859-04|1859 / 4}} |
|||
| {{sort|Tokyo Minato Akasaka|Akasaka, [[Minato, Tokyo|Minato]]}}<br/>{{coord|35|40|39.41|N|139|44|10.48|E|region:JP_dim:160|name=XXX}} |
|||
| [[File:100 views edo 048b.jpg|120px]] |
|||
|} |
|||
---> |
|||
== Notes et références == |
|||
{{Références|colonnes=2}} |
{{Références|colonnes=2}} |
||
Version du 16 novembre 2011 à 01:35
Les Cent vues d'Edo sont, avec les 53 stations du Tōkaidō et les 69 stations du Kiso Kaidō, l'une des séries majeures de meisho-e, de « vues célèbres » célébrant les paysages japonais, que compte l'œuvre très abondante de Hiroshige.
Cette série diffère des deux autres sur plusieurs points, et en particulier, par le recours fréquent à des gravures cadrées verticalement, et non plus exclusivement horizontalement.
Analyse commentée de l'œuvre
Oban, 36,3x24,6 cm
Nishiki-e
Éditeur : Uoya Eikichi
11e mois de la 4e année de l'ère Ansei (1857).
Cette estampe a servi de modèle à Vincent van Gogh. (pour de plus amples détails, voir le paragraphe traitant de l'influence sur Van Gogh dans l'artice Hiroshige)
Tout le premier plan est occupé par un grand prunier, dont on ne voit qu'une partie. À l'arrière plan et à perte de vue, d'autres pruniers en fleurs. Au fond du décor se trouvent les petites silhouettes à peine esquissées des visiteurs venus contempler la beauté de la floraison. Ces ébauches de personnes viennent apporter le contrepoint nécessaire à l'arbre du premier plan et permettent de donner de la profondeur de champ.
Le tableau fait ressortir deux couleurs : le vert de l'herbe dans la partie inférieure et le rouge du ciel (la scène se passe sans doute au soleil levant ou couchant). Au milieu est insérée une bande presque blanche qui vient faire la transition entre le vert et le rouge et contraste avec le tronc très foncé du premier plan.
La pruneraie était située à Edo (Tōkyō), derrière le sanctuaire Kameido-Tenjin, célèbre pour ses glycines. Il se peut que l'arbre représenté soit celui qui était le plus célèbre d'Edo, le Garyūume.
De nos jours seules les pierres des ruines de l'ancienne villa « Pruneraie » viennent rappeler la splendeur passée du jardin qui fut progressivement laissé à l'abandon à la suite d'une inondation survenue en 1910.
Oban, 37,4x25,6 cm
Nishiki-e
Éditeur : Uoya Eikichi
9e mois de la 4e année de l'ère Ansei (1857).
Tout comme la précédente, cette estampe a servi de modèle à Vincent van Gogh lorsqu'il a cherché à comprendre comment les peintres japonais travaillaient.
Avec la suivante, il s'agit d'une des estampes les plus célèbres d'Hiroshige.
Le tableau tout entier représente une scène de pluie violente sur le pont Ōhashi, près d'Atake. Sur le pont des gens se pressent et se protègent de la pluie, un homme seul dans une barge sur la Sumida est trempé et au loin, sur la berge, les maisons sont perdues dans le gris et ne se distinguent presque plus.
On remarque deux lignes de force dans ce tableau : la berge au fond qui vient renforcer la profondeur de champ et qui, pour une ligne d'horizon, n'est étrangement pas horizontale et le pont qui lui aussi est incliné allant du bas gauche à la moitié droite du tableau. L'originalité réside ici dans la vue latérale du pont qui ne permet pas d'en percevoir le commencement ou la fin et donne l'impression d'étirement.
À l'aide de quelques artifices Hiroshige a su décrire avec précision le déchaînement des éléments naturels : la masse opaque des nuages en haut, les dégradés de couleurs sous le pont, les maisons sur la berge noyées dans l'obscurité, les traits zébrant le tableau qui représentent l'intensité de la pluie.
Oban, 36,3x24,8 cm
Nishiki-e
Éditeur : Uoya Eikichi
11e mois de la 4e année de l'ère Ansei (1857).
Avec la précédente, il s'agit d'une des estampes les plus célèbres d'Hiroshige.
À Edo, à l'époque où elle fut réalisée (1857), certains quartiers s'étaient regroupés autour d'un métier en particulier et portaient un nom directement en rapport avec la profession. Ainsi, ce tableau représente le quartier des teinturiers de Kanda. Teinture se dit konya en japonais et le quartier portait le nom de konyamachi.
Une fois le tissu teinté, il devait ensuite être lavé et séché. C'est ce qui est visible dans cette estampe : les morceaux de tissus sont étendus sur des séchoirs et volent au vent. Hiroshige exploite graphiquement ce premier plan avec une grande habileté, en le faisant contraster avec la douce sérénité de la montagne sacrée dans le lointain.
Il n'était pas rare que le peintre s'amuse à glisser son nom dans un élément du décor d'une estampe, ce qui est le cas ici puisque les étoffes sont imprimées des deux caractère « e » et « hiro » pour Hiroshige.
À l'arrière plan apparaissent deux éléments importants : le château d'Edo où Hiroshige fut jadis rattaché en qualité de pompier et tout au loin, le mont Fuji.
Légendes
Les estampes
Notes et références
Bibliographie
- Mikhaïl Ouspenski, Hiroshige, Cent vues d'Edo, Parstone, 1997 (ISBN 1-85995-331-X)
